Angels of Death

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

I am not a Tomb Raider expert - my memories go about as far back as playing the bulk of the original and its sequel at a friend's house, aged something like seven to 10 years old, and attempting to break free of the same demo disc level for a few too many hours on end. But what I've always taken from my fuzzy recollections of late-90s Lara is that one of classic Tomb Raider's defining traits is its precision. Jump exactly here. Land exactly there. Manually press a button to grab the ledge. If you miss you die - or at least get very frustrated. Read more

You've beaten Breath of the Wild, but it has new thrills to offer if you're ready to challenge yourself.

I Saw the TV Glow director Jane Schoenbrun’s latest, Teenage Sex and Death at Camp Miasma, is a sexy, silly, sweet, sincere, and stellar horror gem.