Blood Bowl: Death Zone

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

Bond deserved better.

The Boys’ final episode may be a bit overly predictable at times, but the strong execution and big character moments make for a satisfying send-off to the series. Read our full review.