Death Live

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The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

Moana is gorgeous to look at, but it's too faithful to the animated original's storyline (and even camera moves) to offer anything new to the tale. Catherine Laga'aia makes a great bright-eyed protagonist, but Dwayne Johnson can't nail the swaggering demigod Maui's charisma in live-action.

Seven years later, the counterplay of the Triangle System is still just as satisfying.

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