Death Relives

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

Chunky pixels, a 1:1 aspect ratio, and the best feeling platforming around.

Here's when we can finally get our hands on the latest life sim.

Evil Dead Burn is easily the most violent and oppressive Evil Dead movie yet, and even with the occasional gruesome highs of the horror on screen, this one manages to feel too similar to its predecessors while also leaving out some of the essential elements of Sam Raimi's beloved horror franchise.

I Saw the TV Glow director Jane Schoenbrun’s latest, Teenage Sex and Death at Camp Miasma, is a sexy, silly, sweet, sincere, and stellar horror gem.