Death Star

Chunky pixels, a 1:1 aspect ratio, and the best feeling platforming around.

This remake of Star Fox 64 proves the Arwing isn’t out of style quite yet.

I recently finished reading Keza MacDonald's excellent Super Nintendo, a largely celebratory book about the company that "helped the world have fun", which nevertheless sounds a note of understandable caution at its conclusion. The author is concerned – and it's a concern I share – that Nintendo has been playing things too safe of late, that its release slate (with the odd exception) has become alarmingly conservative. It's time, surely, for the next Splatoon, and by that I don't mean Raiders. As hardware goes, Switch 2 is no big swing, and so far its software has generally followe

A demo for the new Star Fox remake will soon be available.

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.