Heroes of Rome 2: The Revenge of Discordia

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

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In the Hand of Dante review: Oscar Isaac leads a languid drama as both Italian poet Dante and New York author Nick Tosches.

The filmmaker discusses Alan Ritchson, visual storytelling, unforgettable needle drops, and why "the first person to speak usually loses."

Burnout Revenge is actually the best one.