Hold the Dots!

Ridley Scott's post-apocalyptic survivor drama keeps its feelings about grieving in a triple layer of emotional bubble wrap.

The Last House review: Louis Leterrier delivers a haphazard lockdown thriller for Netflix.

The Hawk review: Will Ferrell has given us so many funny characters; this Netflix series does not feature one of them.

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

Sony's best first-party studio hasn't published a new game for almost a decade, and that's a problem.