Light: Rebirth-The falsehood

IO awkwardly welds together two schools of game design.

The magic of 007 First Light is in the bluff. When IO Interactive's young James Bond is caught out yet again trying to sneak through some restricted area, he has numerous ways to resolve the situation. Gadgets. Fists. Guns. Whatever's lying on the nearest surface. But the most novel, and in some ways most satisfying, is simply to blag it. Pressing Circle (on PlayStation) will cause Bond to blurt out some impeccably improvised lie, stunning guards into second-guessing their suspicions and opening a brief window for Bond to slip by. Read more

Confident and charismatic, James Bond's long-awaited return to games is the best since GoldenEye.

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

The Furious review: A fast and furious flurry of top-notch action.