Mausoleum of the Medusa

2026's Masters of the Universe makes the smart choice to play up the dumb parts of He-Man and not take anything seriously. It’s part Flash Gordon, part Deadpool, and almost officially a parody of itself. These are all good things, by the way.

An entertaining co-op horror excursion that can sometimes feel a bit too oppressive.

On the field, it's getting harder to complain about Madden as a series. A lot of the old, reliable criticisms don't really stand up to reality anymore, as the game has been solid or better for several years now. Introducing big changes for the better has been the recent MO for the Tiburon team. That was true for a short period even before the College Football team was resurrected, and it's only seemed truer since then, as that team has earned some influence over the direction of EA's football games as a duo. One of the most notable ways is the greater control Madden puts in players' hands. For

In the Hand of Dante review: Oscar Isaac leads a languid drama as both Italian poet Dante and New York author Nick Tosches.

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.