Oathborn: The Chronicle of Ruin

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

Does Final Fantasy Crystal Chronicles, a game long forgotten in the Final Fantasy series, have the best soundtrack of all of the games? Brian thinks so. Let him convince you.

The End of Oak Street hits all the right nostalgic notes for a family adventure clearly inspired by the '80s most iconic sci fi films. David Robert Mitchell pulls from the same back of tricks that made It Follows a cult classic to add just enough plumage to the dinosaurs to make his film more than just a Spielberg impression.

In the Hand of Dante review: Oscar Isaac leads a languid drama as both Italian poet Dante and New York author Nick Tosches.

The Chronicles of Riddick: Escape from Butcher Bay didn’t just break the licensed-game curse, it was a bona fide Game of the Year contender on Xbox that year (it was won by a little game called Halo 2 that released in November of that year).