On the Path

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

Christopher Nolan's The Odyssey movie adapts Homer through a new eye that brings a sense of horror and existential angst to the story – and some humor too. It may not be a perfect movie, but it’s a pretty great moviegoing experience all the same.

The Get Out review: Russell Crowe wants to "get out" of town, which is why the movie is called THE Get Out.

In an age where single-player first-person shooters are slowly going extinct because they only make money for their publisher once while multiplayer live-service shooters vie for our time and attention on a daily basis (and often contain lots of bullsh*t, like microtransactions and/or drawn-out gameplay loops), Metro 2039’s single-player-only craftsmanship and attention to detail after my first few hours with it have me already prepared to call it my favorite first-person shooter in a long time.

It's a great time to enjoy the stuff we already have.