Out of the Deathmount

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

The Get Out review: Russell Crowe wants to "get out" of town, which is why the movie is called THE Get Out.

Insidious: Out of the Further delivers a popcorn-rattling ride full of fun, creative scares and serviceable human stakes that more than justify tiptoeing through the tulips back to the spirit world.

Sony is now looking for a new star.

An entertaining co-op horror excursion that can sometimes feel a bit too oppressive.