Red Death

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

Evil Dead Burn is easily the most violent and oppressive Evil Dead movie yet, and even with the occasional gruesome highs of the horror on screen, this one manages to feel too similar to its predecessors while also leaving out some of the essential elements of Sam Raimi's beloved horror franchise.

Playing a magic assassin in Dishonored’s rusty city of Dunwall is as brilliant as it looks.

I Saw the TV Glow director Jane Schoenbrun’s latest, Teenage Sex and Death at Camp Miasma, is a sexy, silly, sweet, sincere, and stellar horror gem.

Saturated spectacle can't mask this energetic game's flawsSurprisingly lacking in the train and trick departments.