Reed the Robotanist

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

The Invite review: Olivia Wilde directs the hell out of four people in one apartment.

A quick-match basketball game that plays more like a distant descendant of NBA Street than a true successor.

The Get Out review: Russell Crowe wants to "get out" of town, which is why the movie is called THE Get Out.

The Furious review: A fast and furious flurry of top-notch action.