Revival! Eggerland

It Ends, the latest indie-horror-thriller-that-could, is both creepy and amusing thanks to its likable cast and filmmaker Alexander Ullom’s ability to exploit minimal resources to maximum effect.

The first two episodes of the For All Mankind spin-off wind back the clock on the space race to watch it unfold from the Soviet perspective.

Tony review: Matt Johnson zeroes in on a teenage chapter in Anthony Bourdain’s life.

The End of Oak Street hits all the right nostalgic notes for a family adventure clearly inspired by the '80s most iconic sci fi films. David Robert Mitchell pulls from the same back of tricks that made It Follows a cult classic to add just enough plumage to the dinosaurs to make his film more than just a Spielberg impression.

Johnny Knoxville and the most endearingly disgusting and death-defying group you’ve ever met say goodbye in Jackass: Best and Last.