Rise of the Robots

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

2026's Masters of the Universe makes the smart choice to play up the dumb parts of He-Man and not take anything seriously. It’s part Flash Gordon, part Deadpool, and almost officially a parody of itself. These are all good things, by the way.

Hello! Eurogamer's week of features celebrating the intersection of queer culture and gaming continues today as Kelsey Raynor discovers a very different Elden Ring to the one they were expecting. And you can visit our Pride Week hub to catch up on Pride Weeks past. Read more

In the Hand of Dante review: Oscar Isaac leads a languid drama as both Italian poet Dante and New York author Nick Tosches.

A Lovecraft-inspired first-person puzzle adventure with emotionally gripping mysteries and characters.