Slay the Q

Ridley Scott's post-apocalyptic survivor drama keeps its feelings about grieving in a triple layer of emotional bubble wrap.

The Devil’s Rain review: The shape of evil materializes in Severin Films’ 4K release of this cult classic horror romp.

The Hawk review: Will Ferrell has given us so many funny characters; this Netflix series does not feature one of them.

How to climb the Ascensions as Slay the Spire's silent rogue.

Legendary swordsman Miyamoto Musashi considered himself more an artist than a fighter. A keen strategist and a self-proclaimed master of war, I think it's Musashi's art that hits more keenly than his katana: it's minimalist, monochromatic, a study of nature defined by its simple brilliance. Less is more. Whether intentional or not, I think Capcom may have internalised this philosophy when creating Onimusha: Way of the Sword - a game based loosely on the life and conquests of Musashi. Seldom over-complicated and often composed with artisanal skill, Way of the Sword takes the philosophies of 16t