The Death of Harsh Noise

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

In the Hand of Dante review: Oscar Isaac leads a languid drama as both Italian poet Dante and New York author Nick Tosches.

Westeros is full of dragons during the Targaryens’ early rule, and HotD is finally starting to use them. So here are all the dragons and dragonriders and the sides they’ve chosen in the show so far.

Michael Sarnoski talks his history with Robin Hood, what Hugh Jackman brought to the role, and more.

Supergirl’s final act undercuts the whole point of the movie: The Kryptonian’s new film touches on a long-standing debate about superhero morality.