The Headlands

The Hawk review: Will Ferrell has given us so many funny characters; this Netflix series does not feature one of them.

In an age where single-player first-person shooters are slowly going extinct because they only make money for their publisher once while multiplayer live-service shooters vie for our time and attention on a daily basis (and often contain lots of bullsh*t, like microtransactions and/or drawn-out gameplay loops), Metro 2039’s single-player-only craftsmanship and attention to detail after my first few hours with it have me already prepared to call it my favorite first-person shooter in a long time.

In the Hand of Dante review: Oscar Isaac leads a languid drama as both Italian poet Dante and New York author Nick Tosches.

The Last House review: Louis Leterrier delivers a haphazard lockdown thriller for Netflix.

Sony's best first-party studio hasn't published a new game for almost a decade, and that's a problem.