The Hideaway

The Hawk review: Will Ferrell has given us so many funny characters; this Netflix series does not feature one of them.

The Last House review: Louis Leterrier delivers a haphazard lockdown thriller for Netflix.

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

Gaming hardware is more expensive than ever. There’s a few different reasons things are as bad as they are, but regardless of how we got here, there’s no denying it’s an absolutely terrible time to be in the market for a new gaming console or PC. Even worse is the realization that there’s no going back.

Legendary swordsman Miyamoto Musashi considered himself more an artist than a fighter. A keen strategist and a self-proclaimed master of war, I think it's Musashi's art that hits more keenly than his katana: it's minimalist, monochromatic, a study of nature defined by its simple brilliance. Less is more. Whether intentional or not, I think Capcom may have internalised this philosophy when creating Onimusha: Way of the Sword - a game based loosely on the life and conquests of Musashi. Seldom over-complicated and often composed with artisanal skill, Way of the Sword takes the philosophies of 16t