The Hookmarine

The Last House review: Louis Leterrier delivers a haphazard lockdown thriller for Netflix.

The Hawk review: Will Ferrell has given us so many funny characters; this Netflix series does not feature one of them.

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

If Insomniac has proved anything over the last eight years, it’s that they know how to make a hell of a superhero game. Marvel's Spider-Man remains one of the PlayStation 4’s defining action games and a shining example of open-world design, as are both of its follow-ups. Now they’re looking to replicate that magic with Marvel's Wolverine, albeit this time as a traditional linear AAA action game. I got to play about two and half hours at a recent preview event, and while my impressions are mostly glowingly positive, I did come away with a few questions and concerns.

Insomniac explains why it didn't want the X-Men in Marvel's Wolverine.