The Housekeeper

The Last House review: Louis Leterrier delivers a haphazard lockdown thriller for Netflix.

There's a machine in The Incident at Galley House you'll spend an awful lot of time with, and it's a wonderfully tactile thing. It's part mixing desk, part paranormal enigma, part over-engineered Guess Who game, and full of clicky dials, chunky buttons, and a big old whooshy lever you're forever manipulating. And if your deductive instincts are good enough, it whirs into crackling life like a haunted slot machine, rigged to deliver strange psychic visions. Read more

Westeros is full of dragons during the Targaryens’ early rule, and HotD is finally starting to use them. So here are all the dragons and dragonriders and the sides they’ve chosen in the show so far.

Here is a game that feels like an adventure. And it feels like it was an adventure to make, too. Mina the Hollower took six years to design and build, six years that took it from what sounds like a kind of coding doodle to a panoramic journey across a richly imagined island, taking in platforming and combat, puzzle-solving, and sheer immersion in the world building. It's Zelda and it's Bloodborne. It's smacking bosses and reading the in-game newspaper. All of which is to say that those six years of design work are apparent throughout, in the complexity of the landscapes you travel, in the dens

Mina can offer whatever challenge you're up for.