The Power of Doznath

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

Amazon also shared a first look at the latest iteration of the Dark Lord Sauron as we'll see him in The Rings of Power season 3 when it releases later

Masters of the Universe director Travis Knight tells Polygon how he designed the coolest sword of 2026 by looking to the past

In the Hand of Dante review: Oscar Isaac leads a languid drama as both Italian poet Dante and New York author Nick Tosches.

Death Battle's Yuji vs. Denji isn't memorable because of who won, but because the authors understood what maakes both characters tick