The Prison

The Bear comes home for its fifth and final season in an overly sentimental sendoff that’s not without transcendent moments.

The Hawk review: Will Ferrell has given us so many funny characters; this Netflix series does not feature one of them.

In an age where single-player first-person shooters are slowly going extinct because they only make money for their publisher once while multiplayer live-service shooters vie for our time and attention on a daily basis (and often contain lots of bullsh*t, like microtransactions and/or drawn-out gameplay loops), Metro 2039’s single-player-only craftsmanship and attention to detail after my first few hours with it have me already prepared to call it my favorite first-person shooter in a long time.

With its gorgeous black and white, hand drawn art and heavily influenced 1980s tabletop RPG stylings, The Secret of Weepstone is the kind of game I would make... if I had any idea how to make games.

The Invite review: Olivia Wilde directs the hell out of four people in one apartment.