The Recursive Dollhouse

The Last House review: Louis Leterrier delivers a haphazard lockdown thriller for Netflix.

Ridley Scott's post-apocalyptic survivor drama keeps its feelings about grieving in a triple layer of emotional bubble wrap.

There's a machine in The Incident at Galley House you'll spend an awful lot of time with, and it's a wonderfully tactile thing. It's part mixing desk, part paranormal enigma, part over-engineered Guess Who game, and full of clicky dials, chunky buttons, and a big old whooshy lever you're forever manipulating. And if your deductive instincts are good enough, it whirs into crackling life like a haunted slot machine, rigged to deliver strange psychic visions. Read more

Like Bancho's cooking, Dave's new adventure is delicious.

The Furious review: A fast and furious flurry of top-notch action.