The Red Death

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

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Ridley Scott's post-apocalyptic survivor drama keeps its feelings about grieving in a triple layer of emotional bubble wrap.

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Review: John Boorman and the Devil is a fun and engrossing look at the creation of what is considered to be one of the worst sequels ever made.