The Way of Death

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

Its bosses are every bit as demanding as those found in a Soulslike, but the journey between them isn't built around constant punishment. Onimusha: Way of the Sword is a game that manages to challenge the player without becoming exhausting, allowing the game to shift naturally between moments of intense concentration and opportunities to simply enjoy stylish swordplay.

In the Hand of Dante review: Oscar Isaac leads a languid drama as both Italian poet Dante and New York author Nick Tosches.

Watchmen was released 30 years ago but is still considered required reading by comic book fans. In this episode of Issue at Hand, Susana Polo breaks down how and why the graphic novel became so iconic.

Legend of the White Dragon review: Jason David Frank's final movie won’t be as memorable as he was.