Up on the Rooftop

Christopher Nolan's The Odyssey movie adapts Homer through a new eye that brings a sense of horror and existential angst to the story – and some humor too. It may not be a perfect movie, but it’s a pretty great moviegoing experience all the same.

The Get Out review: Russell Crowe wants to "get out" of town, which is why the movie is called THE Get Out.

The Hawk review: Will Ferrell has given us so many funny characters; this Netflix series does not feature one of them.

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

Legendary swordsman Miyamoto Musashi considered himself more an artist than a fighter. A keen strategist and a self-proclaimed master of war, I think it's Musashi's art that hits more keenly than his katana: it's minimalist, monochromatic, a study of nature defined by its simple brilliance. Less is more. Whether intentional or not, I think Capcom may have internalised this philosophy when creating Onimusha: Way of the Sword - a game based loosely on the life and conquests of Musashi. Seldom over-complicated and often composed with artisanal skill, Way of the Sword takes the philosophies of 16t