Wu-Tang: Rise of the Deceiver

2026's Masters of the Universe makes the smart choice to play up the dumb parts of He-Man and not take anything seriously. It’s part Flash Gordon, part Deadpool, and almost officially a parody of itself. These are all good things, by the way.

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

Hello! Eurogamer's week of features celebrating the intersection of queer culture and gaming continues today as Kelsey Raynor discovers a very different Elden Ring to the one they were expecting. And you can visit our Pride Week hub to catch up on Pride Weeks past. Read more

Madeleine Roux addresses how the bond between Rey and Leia in Star Wars: Legacy reshapes the meaning behind Rey's lineage in The Rise of Skywalker.

In an interview with Polygon, TFT devs Alex Cole and Christina Jiang talk about TFT's seven year history and its upcoming birthday event.